The Centre for Critical and Creative Cultures presents
AUTHORSHIP AND APPROPRIATION
8th and 9th April 2016 , University of Dundee
“An adaptation is not vampiric: it does not draw the life-blood from its source and leave it dying or dead, nor is it paler than the adapted work. It may, on the contrary, keep that prior work alive, giving it an afterlife it would never have had otherwise.” — Linda Hutcheon
Plenaries:
Michael Burden, Professor of Opera Studies (Oxford University)
& Nicholas Seager, Senior Lecturer in English (Keele University)
To celebrate the publication of The Afterlives of Eighteenth-Century Fiction, edited by Daniel Cook and Nicholas Seager (Cambridge University Press, 2015), we invite proposals for 20-minute papers that address the theory and practice of the adaptation and appropriation of literary texts in any period. Topics might include but are not restricted to:
* Republication in collected works, abridgements, magazines or other print and digital fora;
* The theory or practice of editing, collaboration, or “secondary” authorship;
* Translation, allusion, imitation and other forms of textual appropriation;
* The creative exchange between poetry, drama, non-fiction and the novel;
* Filmic, theatrical, operatic, musical or visual adaptations of literary texts;
* Counterfeits, forgeries, plagiarisms or other unacknowledged alterations;
* Continuations, extensions, parodies or pastiches of literary texts;
* The presence or impact of appropriative texts in a pedagogical context.
Abstracts of no more than 250 words should be emailed to Dr Daniel Cook (d.p.cook@dundee.ac.uk) before 15th December 2015. We welcome pre-fabricated panels of no more than three speakers, sponsored roundtables involving no more than five speakers, or alternative formats. Competitive travel bursaries will be available for postgraduates / early career scholars based in the UK or Ireland (enquire within).