Wild Arts’ The Marriage of Figaro is an exquisite version of Mozart’s beloved classic, a delight for seasoned opera afficionados and a joyous introduction for new devotees.

Whatever your sensibilities may be towards Hampton’s rewriting of the denouement of Les Liaisons dangereuses, this latest production of the canonical libertine text demonstrates the novel’s

This incredible revival of Swale's comedy is pure delight.

In an age when fake news is rampant, conspicuous consumption thrives and self-presentation are the obsession, the production successfully exposes the paradox that exposing oneself is also a social

I hope that more theatre companies take note of what the RSC has done with this production: I would love for it to spark more smart, confident, and above all, hilarious eighteenth-century revivals.

This School for Scandal is indeed a tonic and I thoroughly recommend that you see it.

The Divine Mrs S is an urgent appeal for women to externalise their feelings of injustice and emotion. It’s a call for release.

The Welkin is refreshingly humble: the characters are women from all levels of the socio-economic hierarchy and the story is not grand with far-reaching ramifications.

A queer adaptation of Austen’s playful novel reimagines Northanger Abbey for the BookTok generation.

The performance was not a lecture but a tale that spanned hundreds of years, a narrative about finding yourself in a world that has not wished to see or acknowledge you.