Careful! Tomaso Albinoni: ‘The Domineering Chambermaid’
Michael Burden directs a new English production of Albinoni's comic intermezzo 'Pimpinone'.
Changing Modes: Explaining and Performing C. P. E. Bach’s Changing Styles
David Schulenberg's presentation of some significant but often overlooked C.P.E. Bach works is met with appreciation by a full audience.
Purcell’s Dido and Aeneas
Barrie Kosky's staging of Dido and Aeneas leaves much to be desired.
Il Caro Sassone: Hasse’s Leucippo (1747)
All is not well in Tatjana Gürbaca's colourless new production of Hasse's pastoral opera.
Richard Strauss’s Capriccio (1942)
The eighteenth century makes for an interesting context in this production of Strauss's 'conversation piece'.
Haydn’s Life on the Moon
ETO's staging of Haydn's comic opera has the audience in stitches from the start.
Hasse’s l’Ipermestra at Český Krumlov
The baroque theatre at Česky Krumlov provides a fitting stage for this modern world premiere.
Camerata Academica of the Antipodes
New ensemble Camerata Academica of the Antipodes delight and astonish in their debut concert.
Infidelity, Deceit deluded, disappointed, outwitted: Haydn’s L’Infedeltà Delusa
Haydn's operlet resists a disappointing turn in the weather to shine in New Chamber Opera's summer production.
Handel’s Social Network: The Burlington Circle
Making the most of the intimate setting of the 1901 Arts Club, Baroque Encounter explore Handel's residency at Burlington House.