At the Salzburg Mozartwoche, Jérémie Rhorer and the period-instrument ensemble Le Cercle de l’Harmonie put Mozart in the context of some of his lesser-known contemporaries.

Life imitates art in Mozart’s early opera seria at the Salzburg Mozartwoche.

This humorous production of Eccles and Congreve's Judgement of Paris captures the lighter side of eighteenth-century English opera.

Michael Grandage's new production of Don Giovanni is marred by a mediocre cast.

Five countertenors resurrect Vinci's forgotten opera, L'Artaserse, in this magnificent all-star production.

Two tragic ballets by the eighteenth-century theoretician, Jean-Georges Noverre, receive a new staging at the Opéra-Comique in Paris.

Peter Schofield shares his views on successfully transforming opera seria into ciné-opera.

Rameau's long-forgotten opera Anacréon receives its first performance in modern times.

Another neglected gem of the Baroque repertoire makes a satisfying return to the modern stage.

This interpretation of Maurice Greene's rarely performed setting of Spenser's Amoretti convinces both musically and as a scholarly exercise.